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Works Of Constable In Public Galleries

NATIONAL GALLERY.

The Corn Field, or Country Lane, 1826 (130). Engraved by D. Lucas. See frontispiece and page 59. 4 ft. 8 in. high by 4 ft. wide.

The Valley Farm, 1835 (327). A view of the farmhouse known as ” Willy Lot’s House.” See page 54. Engraved by J. C. Bentley. 4 ft. 9 1/2 in. high by 4 ft. 1 in. wide.

The Hay-Wain, 1821 (1207). See illustration and page 52. 4 ft. 2 3/4 in. high by 6 ft. 1 in. wide.

The Cenotaph, 1836 (1272). See illustration and page 62. 4 ft. 2 4- in. high by 3 ft. 6 1/2, in. wide.

Flatford Mill, on the River Stour, 1817 (1273). See illustration and page 49. 3 ft. 3 1/2 in. high by 4 ft. 2 in. wide.

The Glebe Farm (1274). See page 17. 2 ft. 1 in. high by 3 ft. 1 1/2 in. wide.

  • When I am finishing a picture, I hold some God-made object up to it – a rock, a flower, the branch of a tree or my hand – as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there’s a clash between the two, it’s bad art. Marc Chagall
The arts are fundamental to our humanity. They ennoble and inspire us—fostering creativity, goodness, and beauty. The arts help us express our values, build bridges between cultures, and bring us together regardless of ethnicity, religion, or age. When times are tough, art is salve for the ache.