Principal Works Of Verrocchio With Their Present Locations

IT cannot be claimed that all of the works included in the following list are proved beyond question to be by Verrocchio, but in case of doubt attribution is based upon recent and authoritative criticism. SCULPTURE

ENGLAND. LONDON, VICTORIA AND ALBERT MUSEUM: The Genius of Discord, ENGLAND. relief—FRANCE. PARIS, DREYFUS COLLECTION: Bust of Medea Colleoni, marble; Bust of Giuliano de’ Medici, terra-cotta ; Putto on Globe, terra-cotta; Judgment of Paris, bronze plaque —PARIS, FOULC COLLECTION: Bust of a Lady, terracotta—PARIS, LOUVRE: Two Angels, terra-cotta —GERMANY. BERLIN, ROYAL MUSEUM: Sleeping Youth, terra-cotta; Entombment, terra-cotta relief—ITALY. CAREGGI, VILLA MEDICI: Resurrection, terra-cotta relief, painted—FLORENCE, MUSEUM OF THE CATHEDRAL: Decollation of Baptist, silver relief on the silver altar—FLORENCE, NATIONAL MUSEUM: David, bronze ; Bust of a Lady, marble ; Madonna and Child, terra-cotta relief ; [SALA D’ARMI] Helmet with Crest of Dragon, wrought iron—FLORENCE, CHURCH OF OR SAN MICHELE: Christ and St. Thomas, bronze —FLORENCE, CHURCH OF SAN LORENZO: Slab Tomb of Cosimo de’ Medici (il Vecchio), marble and brass inlay; [SACRISTY] Tomb of Piero and Giovanni de’ Medici, bronze and porphyry; [CHAPEL OF THE MADONNA] Shield with stemma of the Medici; [INNER SACRISTY] Lavabo, marble—FLORENCE, PALAZZO VECCHIO [COURT] Putto with Dolphin, bronze; Three Lions’ Heads, marble; [LANDING OUTSIDE SALA DEL GIGLIO] Pedestal, marble (Executed for the Statue of David) — NAPLES, MUSEUM: Head of Horse, bronze— PISTOJA, CATHEDRAL: Forteguerri Tomb (Only part of design by Verrocchio) —VENICE, PIAZZA OF SAN GIOVANNI E PAOLO: Equestrian Statue of Bartolommeo Colleoni, bronze (Finished in clay by Verrocchio, and cast by Leopardi).

PAINTINGS

AUSTRIA. VIENNA, LIECHTENSTEIN GALLERY: Portrait of a Lady—ITALY. FLORENCE, ACADEMY: The Baptism —FLORENCE, —FLORENCE GALLERY: The Annunciation.

VERROCCHIO BIBLIOGRAPHY

A LIST OF THE PRINCIPAL BOOKS AND MAGAZINE ARTICLES DEALING WITH VERROCCHIO

ALEXANDRE, A. Histoire populaire de la peinture: école italienne. Paris, 1894—BERENSON, B. The Florentine Painters of the Renaissance. London, 1900— BODE, W. Italienischer Bildhauer der Renaissance. Berlin, 1887—BODE, W. Florentiner Bildhauer der Renaissance. Berlin, 1902— BODE, W., EDITOR. Denkmler der Renaissance. Sculptor Toscanas. Munich, 1892—BURCKHARDT, J. Der Cicerone. Leipsic, 1898—CARTWRIGHT, J. The Painters of Florence. London, 1901 —CICOGNARA, L. Storia della scultura. Prato, 1820-23 —CRUTTWELL, M. Verrocchio. London, 1904—FREEMAN, L. J. Italian Sculpture of the Renaissance. London, 1901 —KNACKFUSS, H., AND ZIMMERMAN, M. G. Kunstgeschichte der Gotik und Renaissance. Leipsic, 1900—KUHN, P. A. Allgemeine Kunst-Geschichte. Einsiedeln, 1892 — LAFENESTRE, G., AND RICHTENBERGER, E. La Peinture en Europe: Florence. Paris [1894] —LAFENESTRE, G. La Peinture italienne. Paris, 1885—LUBKE, W. History of Sculpture: Trans. by F. E. Bunnètt. London, 1878—MACKOWSKY, H. Verrocchio. Leipsic, 1901 — MARQUAND, A., AND FROTHINGHAM, of the History of Sculpture. New York, 1896—MORELLI, G. Italian Painters: Trans. by C. J. Ffoulkes. London, 1893 —MELANI, A. Manuale di scultura italiana. Milan [1899]—MIDDLETON, J. H. Verrocchio (in Encyclopaedia Britannica)—MÛNTZ, E. Histoire de l’art pendant la Renaissance. Paris, 1895—OLIPHANT, M. O. W. The Makers of Venice. London, 1887 —PATER,W. Renaissance Studies. London, 1873 —PERKINS, C. C. Tuscan Sculptors. London, 1864—PERKINS, C. C. Historical Handbook of Italian Sculpture. New York, 1883—REYMOND, M. La Sculpture florentine. Florence, 1898—RICHTER, J. P. Da Vinci. London, 1884—SCOTT, L. Sculpture, Renaissance and Modern. New York, 1892 —SCOTT, L. Ghiberti and Donatello with other early Italian Sculptors. London, 1882—SEMPER, H. Andrea del Verrocchio (in Dohme’s Kunst und Künstler, etc.). Leipsic [1878]—SPRINGER, A. Die Renaissance in Italien. Leipsic, 1896 —STILLMAN, W. J. Old Italian Masters. New York, 1892—SYMONDS, J. A. Renaissance in Italy. London, 1897—VASARI, G. Lives of the Painters. New York, 1897—YRIARTE, C. Florence: Revised by M. H. Lansdale. Philadelphia, 1897.

MAGAZINE ARTICLES

ARCHIVIO STORICO DELL’ ARTE, 1893: W. Bode; Una Tavola in bronzo di Andrea del Verrocchio nella chiesa del’ Carmine in Venezia. 1894: H. Ullman; Il modello del Verrocchio per il relievo del dossale d’Argento. 1895: C.’ von Fabriczy; Andrea del Verrocchio al servizio de’ Medici—GAZETTE DES BEAUX-ARTS, 1891: E. Müntz; Andrea del Verrocchio et le Tombeau de Francesca Tornabuoni. 1898: E. Duhousset; Un dernier mot à propos du “Colleone” de Verrocchio. 1902: J. Mesnil; Un Peintre inconnu du xve siècle, Chimenti di Piero; le “Tobie et les trois archanges” de l’Académie des Beaux-Arts—JAHRBUCH DER KONIGLICH PREUSSISCHEN KUNSTSAMMLUNGEN, 1882: W. Bode; Bildwerke des Andrea del Verrocchio L’ART, 1883: P. Durrieu; Un Tableau de l’atelier de Verrocchio au Musée du Louvre. 1886: E. Müntz; Notes sur Verrocchio —L’ARTE, 1901: B. Marrai; Il tabernacolo col gruppo del Verrocchio in Or San Michele. 1902: C. von Fabriczy; Ancora del tabernacolo col gruppo del Verrocchio in Or San Michele. 1904: C. Gamba; Una terracotta del Verrocchio a Careggi—REPERTORIUM FÜR KUNSTWEISSENSCHAFT, 1899: W. Bode; Verrocchio und das Altarbild der Sacramentskapelle im Dom zu Pistoja—REVUE DES DEUX MONDES, 1887: E. Müntz; Une Education d’artiste au XVe siècle.

( Originally Published 1905 )

Verrocchio:Andrea Di Michele Di Francesco Cioni – Called VerrocchioThe Art Of VerrocchioThe Works Of VerrocchioA List Of The Principal Works Of Verrocchio With Their Present Locations